Archive for July, 2009
Press Two sink, three float
17 July Knack Belgium: Reportage of Satya about the performance ‘Two Sink, Three Float
4th of August at 19h30 VRT: Program 1000 zonnen en garnalen: Reportage of Studio Eclipse about the performance ‘Two Sink, Three float’ which will play in Hasselt on the 6th,7th and the 8th of August in the pool of the Kapermolenpark.
Le journal 26th of July Chalon dans la Rue
Frontpage Limbuger 26th of August 2010
De Stentor 21st of august, NL
De Stentor 15th of August, NL
No commentsTwo Faces solo
‘Two Faces’
A dynamic dance/location performance
A goat and a girl allways lived together. They can count on their rhythm and their habits. When this changes suddenly, everything gets out of balance and shows the goat as well as the girl oddities.
During the dance solo, the intimicy and fragility of the character is shown. This dance is accompanied on violin.
Concept and idea: Satya Roosens
Dancer: Mirte Courtens
Musician: Claudia Valenzuela or Ananta Roosens
Dramaturgic advice: Klaus Jürgens
No commentsTwo Faces solo
‘Two Faces’
A dynamic dance/location performance
A goat and a girl allways lived together. They can count on their rhythm and their habits. When this changes suddenly, everything gets out of balance and shows the goat as well as the girl oddities.
During the dance solo, the intimicy and fragility of the character is shown. This dance is accompanied on violin.
Concept and idea: Satya Roosens
Dancer: Mirte Courtens
Musician: Claudia Valenzuela or Ananta Roosens
Dramaturgic advice: Klaus Jürgens
No commentsTwo Faces solo
‘Two Faces’
A dynamic dance/location performance
A goat and a girl allways lived together. They can count on their rhythm and their habits. When this changes suddenly, everything gets out of balance and shows the goat as well as the girl oddities.
During the dance solo, the intimicy and fragility of the character is shown. This dance is accompanied on violin.
Concept and idea: Satya Roosens
Dancer: Mirte Courtens
Musician: Claudia Valenzuela or Ananta Roosens
Dramaturgic advice: Klaus Jürgens
No comments



